![]() ![]() ![]() The most important factor in pulling of these endings is communication, so it’s important to practice quickly, subtly, and efficiently explain to everyone which ending you want to use, and then get some practicing cuing the endings and cutting off chords cleanly. Practice these endings in all 12 keys, and try rehearsing them with other musicians during a rehearsal or jam session so you can get used to how they work. With this in mind, I want to address six of the most common ways to end a jazz standard that every jazz musician should know. Likewise, strong endings are especially important because it’s the last thing the audience will hear, and it’s important to leave the audience with a good final impression of the tune and of our playing. From an audience standpoint, musicians who don’t conclude their songs in a tidy fashion may be perceived as less professional or competent. Sloppy or disorganized endings can undermine what otherwise may have been a flawless and moving rendition of a jazz standard. A well-constructed ending should always fit well with the overall musical mood and character of the song in question. We should pay more attention to the way we end tunes! It’s important to consistently end our interpretations of jazz standards in a way that provides a satisfying sense of rhythmic, melodic, and harmonic closure. Often, musicians simply don’t put much thought into how to create convincing endings to songs. ![]() As jazz musicians, we spend so much time and energy working on learning jazz standards and developing the craft of improvisation that we sometimes forget to address very practical matters such as how to start and end tunes in real-life performance scenarios. ![]()
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